“Get Millie Black,” beginning on Monday at 9 p.m.ugga bugga slot machine, is another high-end HBO crime drama about a cop who does things her own way — against the rules, no matter what her angry boss says. She does so on account of her too-personal investment in this and all cases because of the way they remind her of her childhood. (Her lousy childhood, obviously.)
And yet this rogue officer may be the only truly ethical one around, the only one who actually gets things done, the only one who actually cares about the people everyone else ignores! Why must corruption follow her, even though she herself is more or less upstanding? And hey — has anyone else noticed that the rich get richer?
One twist here is that “Get Millie Black” is also pretty dang good; perceptive, aerodynamic, rich in artistry and in specifics. “This crime story is old,” Millie (Tamara Lawrance) tells us in the pilot. “But people make it new every day.” When she’s right, she’s right, and part of the premise of the show is that Millie is often right.
Created by the Booker Prize-winning author Marlon James, “Millie” is set in Jamaica, where Millie, the prodigal daughter of an abusive mother, has returned after 18 years in England and is now a police officer. Millie thought her brother, Orville, had died while she was gone, but in fact Orville has transitioned and is now Hibiscus (Chyna McQueen). She is very much alive, though often in peril.
The catalyzing incident here is the disappearance of a teen girl, which of course turns into a much larger investigation of more widespread and depraved criminality, as these cases always do on TV. When a white Scotland Yard detective (Joe Dempsie) arrives on the scene, Millie is not enthusiastic. “Here to colonize our case?” she half jokes.
Crime shows, especially missing girl shows, often feel barren, or at least frozen in their Scandinavian snowscapes. “Millie,” on the other hand, feels abundant. Each episode has a different anchor character providing the perspective and narration, and each character, including the one-offs, has a clear voice. Millie is our star, but she is part of a bright constellation.
There are only five episodes (four of which were made available for review), and new installments air on Mondays.
Also this weekImageA dish seen in the Ángel León episode of Season 7 of “Chef’s Table.”Credit...Netflix“Anthony Jeselnik: Bones and All” arrives Tuesday, on Netflix.
The season finale of “Dancing With the Stars” airs on Tuesday at 8 p.m., on ABC.
A new batch of “Chef’s Table” episodes arrive Wednesday, on Netflix.
“The Madness,” starring Colman Domingo, arrives Thursdayugga bugga slot machine, on Netflix.